Back to the Rabbit Hole
rgstewey:

Under no circumstances can I say this is not ridiculously funny.

rgstewey:

Under no circumstances can I say this is not ridiculously funny.

merriamwebsterdictionary:

reasons why winter is better than summer:

  • little to no insects (◕‿◕✿) 
  • sweaters all the time (◠△◠✿)
  • the air is nice and fresh smelling (◡‿◡✿)
  • sometimes it snows and you get out of school \(◕‿◕✿)/
  • snow is pretty (´・ω・`)
  • no pollen (▰˘◡˘▰) 
  • it gets darker faster so theres more nighttime and more time to look at the stars (ᅌᴗᅌ* )
  • everything is dead just the way i like it (⊙‿⊙✿)

missgreeney:

ca-tsuka:

Urbance animated project is now on Kickstarter.
http://www.kickstarter.com/projects/2088672139/urbance

Fucking finally

fullcravings:

Raw/Vegan Breakfast Nice Cream Cake
wee-little-things:

Dollhouse Miniature Ice Cream Case in 1/12 scale by theMouseMarket.com on Flickr.
amischiefofmice:

maghrabiyya:

moonstonebeginning:

soulpunx20xx:

moonstonebeginning:

moonstonebeginning:

A great addition to your garden or back yard. - Bee watering station. 
Bees need water just like we do but often times drown in open water. To make a bee watering station you can either do what is shown in the photo above and fill the bowl of a dog/cat watering jug with stones or you can fill a small dish with marbles and add water to that. That way the bees have something to land on!

First post to get this many notes, and I’m so glad it’s this one. ^_^

No fuck bees kill them all

Kill all bees huh? Bees are responsible for pollinating around 80% of agriculture. Bees die, you die. Do research and get over your fears.

bees are so important save the bees

beeeee bath

amischiefofmice:

maghrabiyya:

moonstonebeginning:

soulpunx20xx:

moonstonebeginning:

moonstonebeginning:

A great addition to your garden or back yard. - Bee watering station. 

Bees need water just like we do but often times drown in open water. To make a bee watering station you can either do what is shown in the photo above and fill the bowl of a dog/cat watering jug with stones or you can fill a small dish with marbles and add water to that. That way the bees have something to land on!

First post to get this many notes, and I’m so glad it’s this one. ^_^

No fuck bees kill them all

Kill all bees huh? Bees are responsible for pollinating around 80% of agriculture. Bees die, you die. Do research and get over your fears.

bees are so important save the bees

beeeee bath

nbchannibal:

(╯°Д°)╯︵ ┻━┻

fullcravings:

Cocoa Sweet Bread
comicsalliance:

A MODEST AND BELATED BIRTHDAY CELEBRATION FOR MIKE MIGNOLA
By Patrick A. Reed
If you were to pull a random sampling of professionals from across the comics industry and poll them on their favorite modern-day creators, Mike Mignola’s name would doubtlessly rank near the top. Since he burst on the scene at Marvel in the early 1980s, pencilling an obscure limited series about a talking space raccoon, he’s matured brilliantly – from his seminal work at DC Comics (pencilling books including World Of Krypton, Cosmic Odyssey, and Batman: Gotham By Gaslight), to his work at Topps, Marvel, and other companies in the early ’90s (on Ironwolf, Bram Stoker’s Dracula, various X-books, and many other titles), to his move into creator-owned comics with the mighty Hellboy, he’s maintained a unique voice and an immediately recognizable art style, bettering himself with each successive project, evolving and refining his voice at every opportunity.

Mignola’s vision is of course best expressed by the empire of “Hellboy-verse” comics, which includes the titles B.P.R.D. Hell On Earth, Abe Sapien, Lobster Johnson, Witchfinder, and even inspiring a kid-friendly spin-off series Itty Bitty Hellboy. They’re all set in his own supernatural horror-heroic world that blends spooky atmospherics and bizarre humor to create some of the best, most distinctive American comics ever put to paper.

Outside of comics, Mignola’s designed for animation (Atlantis: The Lost Empire), created concept art for a number of acclaimed films (Pan’s Labyrinth, Bram Stoker’s Dracula, Blade II), and even branched out into writing and illustrating prose novels (Baltimore, Joe Golem). His own creations have been adapted to both live-action films (Hellboy and Hellboy II: The Golden Army), and cartoons (Hellboy: Sword Of Storms, Hellboy: Blood And Iron, The Amazing Screw-On Head).

Whether it’s baby Hellboy eating a forbidden breakfast, a snake and a magician flying kites, or a robotic super-spy with a detachable head in the employ of President Lincoln, there’s a dry-yet-absurd tone to Mignola stories that drips with the glee of innovation and possibility, yet manages to keep it all contained within straight-faced third-person storytelling. And so, today, a few days after his 54th birthday, we’re excited to celebrate Mike Mignola’s career with a few fellow fans (who also happen to be notable comic-makers in their own right).
SEE THE TRIBUTES AT COMICS ALLIANCE

comicsalliance:

A MODEST AND BELATED BIRTHDAY CELEBRATION FOR MIKE MIGNOLA

By Patrick A. Reed

If you were to pull a random sampling of professionals from across the comics industry and poll them on their favorite modern-day creators, Mike Mignola’s name would doubtlessly rank near the top. Since he burst on the scene at Marvel in the early 1980s, pencilling an obscure limited series about a talking space raccoon, he’s matured brilliantly – from his seminal work at DC Comics (pencilling books including World Of Krypton, Cosmic Odyssey, and Batman: Gotham By Gaslight), to his work at Topps, Marvel, and other companies in the early ’90s (on Ironwolf, Bram Stoker’s Dracula, various X-books, and many other titles), to his move into creator-owned comics with the mighty Hellboy, he’s maintained a unique voice and an immediately recognizable art style, bettering himself with each successive project, evolving and refining his voice at every opportunity.

Mignola’s vision is of course best expressed by the empire of “Hellboy-verse” comics, which includes the titles B.P.R.D. Hell On EarthAbe SapienLobster Johnson, Witchfinder, and even inspiring a kid-friendly spin-off series Itty Bitty Hellboy. They’re all set in his own supernatural horror-heroic world that blends spooky atmospherics and bizarre humor to create some of the best, most distinctive American comics ever put to paper.

Outside of comics, Mignola’s designed for animation (Atlantis: The Lost Empire), created concept art for a number of acclaimed films (Pan’s Labyrinth, Bram Stoker’s Dracula, Blade II), and even branched out into writing and illustrating prose novels (Baltimore, Joe Golem). His own creations have been adapted to both live-action films (Hellboy and Hellboy II: The Golden Army), and cartoons (Hellboy: Sword Of Storms, Hellboy: Blood And Iron, The Amazing Screw-On Head).

Whether it’s baby Hellboy eating a forbidden breakfast, a snake and a magician flying kites, or a robotic super-spy with a detachable head in the employ of President Lincoln, there’s a dry-yet-absurd tone to Mignola stories that drips with the glee of innovation and possibility, yet manages to keep it all contained within straight-faced third-person storytelling. And so, today, a few days after his 54th birthday, we’re excited to celebrate Mike Mignola’s career with a few fellow fans (who also happen to be notable comic-makers in their own right).

SEE THE TRIBUTES AT COMICS ALLIANCE

sherlocksmyth:

THOU = “YOU” WHEN YOU’RE FUCKING DOING SOMETHING.

THEE = “YOU” WHEN YOU’RE HAVING SOMETHING FUCKING DONE TO YOU.

THY = “YOUR” AND “YOURS” WHEN THE THING YOU OWN BEGINS WITH A FUCKING CONSONANT.

THINE = “YOUR” AND “YOURS” WHEN THE THING YOU OWN BEGINS WITH A FUCKING VOWEL.

IF YOU’RE GOING TO MAKE SHITTY EARLY MODERN ENGLISH TEXT POSTS, DO IT RIGHT.